Welcome to the Club

This blog is dedicated to bringing liberals and libertarians closer by reviewing (with jokes!) Ayn Rand’s self-proclaimed masterpiece Atlas Shrugged. I’m progressive with libertarian sympathies, and I believe that Rand’s story is powerful and relevant to the world today – just, you know, not in the way she intended.

Every Monday between now and the GOP convention in August, I will recap one chapter of the book. Wednesdays are for ”Food for Thought” posts considering Rand’s story by way of pop culture, history, and philosophy. Thursdays are for “Applied Randology” posts about the 2012 election.

Bookmark this site! Or subscribe by e-mail or RSS at the bottom of the page. If you would like to read along you can buy the book here. You can find key posts (and all posts) listed to your right. Browse by category above.

Programming Notes

Just some quick updates about the upcoming blogging schedule:

*No post on Memorial Day. The last chapter of Part 2 will go up the first week of June.

*The rest of June will cover Part Two Review and various bits of commentary that will auto-post while I go on real-life vacation. I’ll also tidy up the blog, fix broken links, etc, in preparation for…

*Part Three, starting July 2nd. I have a LOT to say about Part Three and might take more than one week to break down certain chapters — for those familiar with the book, expect a lot of commentary on Galt’s Gulch and (obviously) The Speech.

See y’all in June…

2:9 The Face Without Pain Fear or Guilt, “Twihard With a Vengeance”

PREVIOUSLY: Dagny quit to protest the totalitarian takeover of the American government, but when she got word of a catastrophic train collision that killed hundreds of people on her former railroad, she felt compelled to return to society and keep the trains running on time.

Dagny arrives home, exhausted but resolute. Francisco knocks at the door and she is not surprised that he followed her back to the city. He is grim now, though, seems betrayed. He insists that she’s making a terrible choice. “Don’t you see Dags? You can’t fix the system from the inside! Join my off-the-grid shadow team and we’ll burn this mother down!”

But Dags demures. As long as the railroad makes opportunities possible for even one person who is destined for greatness, her effort is worthwhile even in a totally corrupt world. Francisco shakes his head in disappointment. “Well, now I’ve told you my plan to hit the self-destruct button on civilization, but you’re still on the side of that civilization, so… technically we’re enemies.”

Dagny & Francisco

It only now occurs to Dags that Francisco is the one she calls The Destroyer, the man who has been convincing all the other elite pillars of society to disappear. Frankie admits that’s part of his plan, but he isn’t in charge of it. She starts to quiz him but they keep getting distracted by the subtext of their haunted, bittersweet love.

Just then Hank walks in, nursing a big rubbery one in anticipation of nailing Dagny all night. Francisco’s presence really throws him off, although his dick only gets harder if anything. I assume. Anyway Francisco realizes what’s going on here and is clearly crushed. Hank is like “What the FUCK are you doing in here?”

Frankie, as is his wont, clams up and just takes another screed impugning his character from the people he most admires. Dagny tries to get Hank to calm down but he’s like “Blah blah blah machismo.” Specifically he calls Francisco a madman and a coward, a nihilist and an anarchist, and mockingly tells him his word means nothing, especially that time he swore to Hank his motives were pure, swore by the only woman he ever loved.

GASP, EPIPHANY! Hank totally realizes that Frank is in love with Dagny, is in fact her only former lover. He calls Frisco out and Dagny is really starting to feel like shit about all of this. In a fit of possessive jealousy, Hank slaps Frisco across the face. Slaps. Like, so much for your macho act, Hank. Francisco stoically takes it and then strides out of the apartment. Dagny realizes the extent of his self-discipline and feels even shittier. Then Francisco comes back in the room, but now he’s a sparkling vampire, and Hank turns into a werewolf, and– sorry, wrong pap.

Dagny & Hank

So now that they’re alone, and Dagny is pissed, she throws it in Hank’s face that she and Francisco used to make crazy animalistic love all day. In a jealous rage, he grabs her violently, and she’s pretty sure he’s about to kill her or beat her to a bloody pulp, but instead he kisses her hard and they start making out and Dagny has never wanted him more.  Ayn Rand has a lot of rape fantasies, by the way, in case that wasn’t clear. Frankly it almost makes too much sense.

And there they are some time later, sharing a post-coital cigarette, when the doorbell rings AGAIN. It’s the landlord and he’s giving Dagny a letter that arrived for her while she was off the grid. It’s from Q. He’s quitting. He doesn’t want to fix the ion drive anymore. Even if the drive could save the world from industrial exhaustion and environmental catastrophe, he knows it would just enable the villains who run this corrupted America, and he can’t be party to that.

Dagny dashes to the phone and immediately, desperately tries to reach Q. She finally get him on the line. “Q! Have you, by any chance, been approached by any shadowy charismatic anarchists lately?” “No, what the hell are you talking about?” Q replies. She makes him promise not to go anywhere until she can make it out west and change his mind.

Hank slowly realizes that he won’t be getting his usual nightcap of a sloppy blowjob, so he promises to join Dagny out west in a week and lets himself out. Dagny barely notices because she’s already packing and coordinating her train schedule with Eddie.

Soon Eddie is in the apartment facilitating Dagny’s travel plans. He’s a little flustered by being in her bedroom, presumably because he is meek and a virgin. And, as I always like to point out, the representative Everyman of the novel. Never forget.

Dagny & Eddie

While Dagny throws clothes into a suitcare, Eddie looks up from his Blackberry (or Moleskin, whatever) and happens to see a man’s bathrobe monogrammed “HR” and GASP, EPIPHANY! Eddie realizes Dagny has been getting a good dicking from Hank Rearden. Jesus Eddie, you’re her body man and she and Hank’ve been going at it for literally years at this point. Get a fucking clue.

Anyway he feels his heart sink in his stomach like lead. He’s basically the sweet nerdy kid who’s shocked and crushed when the cheerleader picks the quarterback instead of him. Eddie, I’m generally in your corner, but I will not abide emasculating Nice Guy stereotypes. And yet he keeps going, because he never even realized until this moment the degree to which he was in love with Dagny. Yep, definitely a virgin.

After dropping Dagny at the appropriate Transcon platform, Emo Eddie wanders in a daze down to the cafeteria, and wouldn’t you know his laconic friend The Prole is there, chain-smoking and apparently just waiting for Eddie to show up and vent and whine like a little bitch.

Never one to buck expectations, Eddie spills his guts to the lowly laborer, about how he loves Dagny, how Rearden is sleeping with her, how he’s now completely given up hope of the world ever recovering from this crisis, and how alone he feels now that Dagny has barreled off to save Q and unlock the secrets of the ion drive.

But that’s about all the pity party Eddie gets a chance to throw, because The Prole jumps up and darts off sans explanation. Eddie’s like “Wait, where are you going?”

“I have a costume change before Act Three!” The Prole fails to say.

NEXT, 2:10 The Sign of the Dollar

Food for Thought #10: Weather Or Not

“I shit better prose than this crazy bitch.” -F. Scott Fitzgerald

F. Scott Fitzgerald once said that there are no second acts in American lives. In the case of Ayn Rand, there is a second act, she just sucks at writing it.

But now we’re near the end of the literary death march known as ”Part Two: Either/Or” and things are finally starting to pick up again. The nation is firmly and totally under the control of corrupt executives and bureaucrats. Francisco has confirmed the existence of a conspiracy among the off-the-grid elites. And Rand’s morally abhorrent moral philosophy is beginning to come into sharper focus.

If we take a step back though, what becomes clear is that Rand’s morals are exactly what keeps Atlas from being more impressive. She has after all created a world of exhausted energy resources and excessive consumerism, where the heroes pursue technological advances that will create a more sustainable and renewable civilization, and the villains are vested big-money interests and the willfully ignorant politicians who enable them. Yet for some reason this book is about how the poor as a class should be treated as subhuman. What?

It’s also important to note that Ayn didn’t realize the depletion of natural resources was an actual looming danger, or that unchecked consumption poisons the earth as well as society. According to Ayn, the problems in the Randverse could have been solved long ago if Hank Rearden and Ellis Wyatt were left free to “Drill baby drill,” if only those yellow-bellied liberal pussies wouldn’t hold them back.

The irony, of course, is that the sustainability dangers are real in an objective way, verifiable by applied science and deductive reasoning. “Drill baby drill” might be a necessary stalling tactic to keep society running while renewable energy gains traction, but it is at best a stopgap measure. Rand’s Objectivist version has none of this foresight. Arthur C. Clarke she ain’t.

This is not that hard to understand.

So in Objectivism (if not objective reality), threats of fossil fuel consumption and environmental corrosion are just false fronts for the liberals to enact an evil agenda that they won’t admit to anyone, least of all themselves.  You can really see here just how influential the Rand worldview is on Republican ideology today.

This is why, now that we’re getting back to the thematically meaty part of the book, I’ve started replacing the protagonists’ talk of moochers and looters with vulture capitalists, moral vampires, and consumer zombies. The two sets of terms are vaguely synonymous but differ vitally in the details. Specifically, my descriptors cut across class and political boundaries whereas Rand’s place blame for society’s ills squarely on one side of the income and political spectra.

By making this change, I like to think I make the Randverse more widely relatable, not to mention recognizable as a relevant commentary on our world today. The American right circa 2012 thinks Ayn’s O.G. interpretation of Atlas is a relevant commentary on politics today, but their worldview simply doesn’t line up with the facts, the objective reality, in which we actually exist.

With this slight shift in the focus of moral blame I think the story actually gains potency as Ayn’s critiques get more extreme, rather than the original version in which the author’s awkward and bizarre proselytizing ruins the dramatic tension. Now, though the crisis is still rooted in moral degradation as Rand claims, the failings are not attributable to just one class or political party.

See, now THIS is a contradiction.

Part Two, as I mentioned above, is titled “Either/Or.” Either Objectivism, or nihilism. And, well… I choose Neither. Insofar as it encourages a perilous, willful denialism, a false consciousness about the objective state of the world that endangers that world, Objectivism can itself be nihilistic. It is not always and necessarily so, but neither is altruism or progressivism. There is no mutual exclusivity between the two sides of Ayn’s “either/or” proposition; no contradiction. And once you surgically remove Ayn’s insistence that there is, Atlas Shrugged gets waaaay way better.

2:8 By Our Love, “Consumed”

PREVIOUSLY: The American government has finally, fully converted to centralized economic control. Dagny resigned in protest and retired to a remote cabin in the woods. In her absence, willful negligence at the railroad company caused a terrible humanitarian disaster.

Our heroine is living off the land, practicing strict self-discipline, trying not to think about the dying world. She’s almost gone hippie on us, contemplating how nature operates in circles while mankind operates in lines. It sounds like stoned dorm room talk.

As she chops wood or whatever, Dagny’s mind wanders to her longing for Hank, and the payment she owes to Q (the physicist reverse-engineering the ion drive for her). Oh yeah, the ion drive! What the hell is she going to do with it now? But nevermind, because all of a sudden Francisco shows up.

She watches his car approach her hill, and watches as he climbs the hill, and all the while he’s whistling Halley’s 5th Concerto (callback!). It’s like something out of a dream. How did he find her? When he reaches her, they stop pussy-footing around and totally make out. Sweeet.

Frankie is super-psyched that Dagny has finally quit and gone off-the-grid, and he came as soon as he knew where she was — though he won’t say how he found out. Dagny laments the hurt and withdrawal she feels for abandoning her former life (read as, “her job”) and yet acknowledges that she couldn’t continue working there with incompetent moral vampires as her bosses. Francisco is like “Damn straight.”

He reminds her of the last night they spent together as lovers, twelve years ago, when she cradled him in her arms while he had a nervous breakdown. Turns out, that was the night he committed to his secret plan to take down industrial civilization from the inside.

“Don’t go back to the real world, Dagny, or I will recast your role with a better actress.”

You see, Francisco explains, D’Anconia Copper is so old, so wealthy, that if he were to quit, all the no-good “vulture capitalists” could still live off his company’s largesse for generations. So, slowly, over the past decade, he has carefully sabotaged himself, hobbling the world economy as a last desperate measure to halt the planet’s mindless overconsumption.

Dagny understands, realizes why Frankie could never have told her while she still demonstrated any loyalty to society and “the system” in general. Still, she admits, it’s a shockingly ballsy move.

Francisco knows. When he made the choice to sacrifice his true love and his personal passion to become Batman fight the power, it was before the climate and energy crisis was obvious, before communism had taken over most of the globe… she would have thought him a crazy person. It was the hardest decision of his life.

Dagny still feels shitty about leaving the world to the vampires and the consumer zombies, though. Francisco reassures her that there’s nothing she can do to stem the tide. At least, not by herself…

But before Francisco can explain his conspiracy further, a news bulletin comes twittering from the radio in Francisco’s car, announcing the Taggart Transcon tunnel disaster. Hundreds dead, the national rail system in complete disarray. In a fit of gross incompetence, an Army munitions train was sent into the tunnel after the poisoned flagship one, and they collided, destroying the tunnel completely.

And before Frankie can stop her, Dagny sprints down the hill and towards her car, compelled to return to society and save her life’s work.

Oooh, ominous skyline.

Cut to NYC, Taggart Terminal.  That rat bastard Jim is sealed up in his office, an unsigned resignation letter on his desk like a loaded gun. He is trying very hard not to think about the situation around him, block out the reality of this failure and his inevitable public shaming. He hates everything. Literally.

But most specifically he hates Dagny, and suddenly races to the VP office, assaulting Eddie Willers and demanding to know where she went when she quit. This is all her fault, for quitting!

Eddie keeps his cool, admits that he knows and that he will not tell Jim under any circumstances, because Jim is an asshole. Eddie’s glad Dagny left and he hopes she doesn’t come back. Yesss, Eddie’s testicles are finally descending!

Except this is Dagny’s cue to storm back into the office, totally undermining Eddie’s stand. She immediately ropes Eddie into her corner suite where they can take charge and get the nation’s core infrastructure back online.

Jim, still in the midst of a nervous breakdown of his own, and clearly getting no attention from the useful people, flees back to his office to destroy the resignation letter and ponder the impotent void of his personality.

Then Dagny and Eddie’s cram session is interrupted by a phone call from Wesley Mouch, who has already heard of her return from “vacation,” and lugubriously promises her any legal waivers she may need, despite all the laws she broke by quitting. She tells him to fuck off forever and send any further messages through his secretary.

While she’s at the phone, she calls Hank and they commiserate about how they’re gluttons for punishment, making sure the world keeps spinning when the world has gotten as crappy as all this. They agree to meet later that night for a therapeutic dose of kinky fuckery.

And now take everything that just happened in this chapter and make all the philosophical points sound about ten times douchier, and that’ll be roughly like how Ayn wrote it.

NEXT: Chapter 2.9, The Face Without Pain or Fear or Guilt

2:7 The Moratorium on Brains, “Flirting with Sociopathy”

PREVIOUSLY: The now-infamous cabal of corrupt powerbrokers revoked all of America’s economic liberties as an emergency measure to halt the economic decline and implement a static, no-growth state. Rearden forfeited the rights to rMetal. Dagny quit and retired to a cabin in the woods.

Average Eddie Willers is getting lunch with his friend The Prole, who you’ll remember labors in the bowels of the railroad, and who I assume is real fucking tired of listening to Eddie bitch and fret. So beaten down by exploitive bureacrats is Eddie that he now wears the ‘smile of a cripple,’ like Ayn, give Eddie a break already, please. Everybody of any competence is disappearing in protest of the new forced-labor laws. Jim has some politically-connected crony holding down Dagny’s job, and for our purposes his name is Peter Principle. Eddie whimpers and mewls about it because Eddie, as the book’s symbolic Everyman, is nice enough but inexcusably pathetic.

Meanwhile, Hank Rearden is walking home from work in solitude. He likes the quiet, because when he’s among people “the human shapes in the street were meaningless objects” to him, which sounds pretty sociopathic to me. In fact you could make an argument that this entire book is Ayn working very hard to define herself as a sociopath. Think about it.

All of a sudden Rearden is stopped by a shadowy figure. It’s Ragbeard the Pirate! Fucking FINALLY we meet this guy. Ragbeard has come to give Hank a bar of gold as recompense for the government’s abuse of the income tax. He has tons of gold, apparently, which he keeps in a bank. What kind of pirate has a checking account? Oh, the bank accounts are for all the aggrieved meritocrats who are being sucked dry by the government. Ragbeard hands the cash over to them whenever they join him off-the-grid. But he’s giving Hank a down payment because… respect. Or something.

“I am an abject failure. Hold me.”

By what principle does Ragbeard justify this mission? Well, get ready for this dear reader, because it is just an unbelievably epic kind of stupid. See, Ragbeard has an irrational hatred of Robin Hood, what with stealing from the rich and giving to the poor. Nevermind that Robin Hood stole from unjust tax collectors and gave to their exploited victims, says Ragbeard, this is different! People remember Robin Hood for valorizing “need” over “ability,” and Ragbeard has dedicated his life to wiping the memory of Robin Hood from the planet. In short, Ragbeard is an idiot and a crazy person. He even says his allies (like his banker) kind of think he’s a weirdo, but hey, live and let live.

Ragbeard mentions that he bombed Orren Boyle’s rMetal factory so that nobody can make Hank’s precious invention if Hank can’t. That almost wins Hank over, but he still has the good sense to tell Ragbeard “Fuck off, you are a ridiculous joke of a man.”

He turns to go but some 5-0 rolls up, looking for the wanted pirate, and Hank is surprised to find himself covering for him. The cops drive off. Ragbeard is like “Haha, you kinda like me!” and Hank just grunts. Ragbeard departs for the sea. Hank, despite his earlier refusal to accept Ragbeard’s ill-gotten gains, shrugs and picks up the bar of gold Ragbeard left behind. Becuse it’s a fucking bar of solid gold, after all.

Cut to: Kip, a sleazy politico riding to a campaign stop in a private Taggart train car. He’s lazy and vindictive, and his campaign manager, let’s just call him Rove, insists that he must make his campaign stop on time. He says this in “[the] stubborn monotone of the unthinking which asserts an end without concern for the means,” which… are the heroes not constantly making demands of their business partners that end with “I don’t care how you do it so long as it gets done” and whatnot? This book’s bullshit quotient is multiplying rapidly.

“No, I’m sure this won’t cause any delays.”

In Rove’s defense, the train is running late. Kip thinks he’ll have Taggart Transcon fully nationalized for this. Then the train grinds to a halt because the worn-out track is straight-up broken and the engine car jumped it. Kip flips his shit. Don’t worry buddy, your train ain’t the only thing going off the rails.

The snafu makes its way back to the nearest Taggart office drone, who is another Peter Principle. He got his job because of a deal between Jim & Wesley Mouch, who “by their customary rules of bargaining, [squeezed] all one could out of any given trade,” which, again, the heroes do all the fucking time, proudly and explicitly. Dagny and Hank even flirtatiously threw that in each other’s faces once, back in the day.

Anyway, Kip’s rabid demands for a new engine car ASAP! bounce around the Taggart system for a couple hours, with all of the Peter Principles now staffing the company expending lots of effort to avoid responsibility, even the guy holding Dagny’s old job at the top of the food chain. On top of that, Kip’s train is very close to a miles-long tunnel with bad ventilation so they can only use a deisel train and not a coal train, but the only deisel engine in the region was moved to accomodate some other string-pulling politico. Looks like these guys are gonna have to cut some corners. I’m sure it’ll go fine.

This never would’ve happened if Steven Seagal hadn’t gone Galt.

The cowardly weasels apparently aren’t so sure. Knowing that it’s unreasonably dangerous, that they are almost definitely sending people to their death, the various middle managers look the other way and have a coal car sent to the tunnel to avoid the wrath of Kip and Operating Vice President Principle. Better to plead ignorance of a disaster than lose your job and fall at the mercy of the omnipotent Unification Board, right?

And so the Transcon flagship train barrels into a tunnel, driven by a coal car, the fumes from which cloud the air and poison everybody on board until they are dead.

But don’t worry! Ayn, whose misanthropy is also approaching toxic levels, goes on for like three pages about how all of the people on this train are vile political liberals and philosophical relativists, so you see they totally had death by asphyxiation coming to them. Obviously. Yaaaay…?

NEXT: 2:8, By Our Love

Applied Randology #4: Paul Ryan, Republican Microcosm

Well, Our L’il Aynie got her first (probably not last) dose of media attention this election season when potential Romney Veep Paul Ryan disavowed his formerly effusive love for her, an image-moderating act that signaled he wants on the ticket.

But the Atlas Society, which advocates for Objectivism, made sure the world knew it still supports Ryan’s budget proposals, and released audio of Ryan calling Rand his number one philosophical influence and the reason he became a politician (which is an… interesting interpretation of her text).

Nonetheless Ryan now claims he rejects Rand’s atheist philosophy: “On epistemology,” he says, “Give me Thomas Aquinas… Don’t give me Ayn Rand.”

Of course, as far as Ryan’s job as Chairman of the House Budget Committee is concerned, the relevant tenets of Objectivism are in economics and politics, not the more abstract area of epistemology. So that’s really a clever elision on his part – in reality it makes sense that Rand’s true believers can blithely dismiss his epistemic apostacy; his policy agenda is strictly by the book (in this case, Atlas Shrugged).

So to speak, anyway. It’s worth noting that in the book pretty much every single person who actively spends time or money on democratic political processes is a despicable soulless monster. In the Randverse, those involved with governance either preach liberal ideas as a form of denial about the damage they inflict, or are completely cynical two-faced operators.

To be fair, Paul Ryan might be a two-faced operator — all politicians are — but he’s not cynical. He, like Rand’s archetypal ‘evil progressive,’ is an ideologue in denial about the danger of his ideas; Ryan just comes by his ideology honestly.

And there are some other notable discrepancies between Paul Ryan and Ayn Rand: Ayn believes all religion is an exercise in covert nihilism; Paul is a well-read Catholic. Ayn believes all politics is an exercise in corruption; Paul is a politician. Ayn believed Objectivism as a whole “single-handedly solved an ancient philosophical puzzle” (atlassociety.org); Paul thinks he can selectively accept her conclusions about politics while rejecting the deeper philosophical premises on which those conclusions are based.

I think all this speaks to the factional tensions in the Republican party quite well. The party of old time religion has an economic agenda based on the philosophy of a radical atheist! Rather than render to Caesar the things that are Caesar’s and to God the things that are God’s (Mark 12:17), the theocratic wing of the GOP would render Caesar unto God, and the Rand-friendly wing would make a God of those things that ought be rendered to Caesar.

Rand, in her absolutism, poses a serious problem for those such as Ryan who would pick and choose from Objectivism like it was a buffet and not prix fixe. Hell, she poses problems for those like myself who would agree to disagree and just appreciate her as a champion of innovation, progress, and the spirit of willful individualism. The problem is summed up nicely by the caption on this XKCD comic:

“I had a hard time with Ayn Rand because I found myself agreeing with the first 90% of every sentence, but getting lost at ‘therefore, be a huge asshole to everyone.’ -Randall Munroe, xkcd

Commenting on that comic, Ari Kohen, who’s read Atlas, offers this critique:

Rand understood her novels to set the table for her Objectivist philosophy and, as a result, she intended for people who read her books to live their lives like [John Galt] … to think of other people as parasites and reject the idea that a political community binds people together in some morally meaningful way… One must be careful with this sort of thing because novels present their commentary and their conclusions without argument… she attempts to shape the way that people think about and interact with the world around them — to do political philosophy — without actually making any arguments for what are, ultimately, policy preferences with serious personal and societal consequences.

This is what is so alarming about the modern Republican agenda. It’s like the party is campaigning to bring about the Randverse, except the Randverse climaxes in economic apocalypse! To go back to a point I’ve made before (not to mention earlier in this post), politicians who employ rhetoric about restoring economic growth and making America great again even as they pursue policies that they must at least unconsciously know will cause society to collapse? They’re represented in Atlas Shrugged. They’re the villains.

You may say that this is painting with an extremely broad brush, but if you combine Paul Ryan’s draconian budget proposals with Grover Norquist’s perverse approach to tax reform (which he leads from an office at ’Americans for Tax Reform’ in truly Orwellian fashion), the inevitable consequence is not fiscal responsibility but reckless debts and deficits, even default, that will provoke political and economic crisis. You cannot starve the beast and put it on a balanced diet at the same time.

To paint with a finer brush, it’s worth nothing that liberals too have grand thinkers who consider their approach the natural evolution of Western political philosophy. John Rawls, for instance, is a hugely influential high liberal philosopher who advocates for a low- or no-growth socialized economy to better realize an ideal of justice as fairness.

Except no real liberal politician would dare hijack American institutions in the name of a radical socialism, no matter what Fox News wants you to believe, because capitalism is too well-loved in our democracy for that to be politically viable. The ideological reverse, however…

There is a sane middle ground here. An overlap between the merits of libertarian economic efficiency and the virtues of the liberal commitment to democratic legitimacy. This space is explored in John Tomasi’s recent book Free Market Fairness.

Tomasi’s goal is conceptually ambitious but modest in its particulars and prescriptions. He builds a philosophically coherent argument that economic liberty and the democratic social contract need not be mutually exclusive propositions, need not be in contradiction. In fact, as the historical record shows, they are two great tastes that go great together.

Down that middle path lies the potential for compromises superior to either side’s unilateral positions, and that will be the subject of the next Applied post. But for now, I think it must be stated firmly and without equivocation that objectively speaking, it is the radical ideological purity demanded by Republicans, even as they insist that the compromising, weak-willed Democrats are the covert ideological radicals, that is the primary cause of our inability to achieve civic reforms and a stronger economic recovery. Furthermore, in their obstructionism the Republicans are performing the role of the looters from Atlas Shrugged, only with an inverted looter ideology that loots from the public coffers of a legitimate democracy, rather than from private coffers in the name of an illegitimate kleptocracy.

And Paul Ryan exemplifies this problem in that he is substantively committed to Objectivist values even as he maintains nominal adherence to a religion with a doctrinal tradition of social justice. Although he would make a great Republican VP candidate with his rep for fiscal responsibility, his specific plans (particularly in conjunction with Grover Norquist’s monopoly on tax reform) are not fiscally responsible. And that is what actually makes Ryan the perfect poster boy for today’s Republican Party: he seems like what’s right about it, when in fact he’s what’s wrong.

2:6 Miracle Metal, or “The Communist Polemical”

PREVIOUSLY: With the global economy trapped in a death spiral of exhausted resources, governments everywhere have taken the opportunity to expand their power and radically restrict individual freedom in the name of preserving society from collapse. It’s going poorly.

In the shadow of the Washington Monument, everyone’s favorite evil cabal of corporatists and politicians have met to conspire some more. Besides the usual triumvirate of Taggart Boyle and Mouch, there are three notable attendees: Dr. Ferris, shameless sociopath of the State Science Institute; Fred Kinnan, head of America’s largest labor union; and POTUS himself, a man named Thompson, a complete political chameleon whose greatest electoral asset is his Generic Anglo-Saxon Face*cough*Romney*cough*.

Anyway the current item on the agenda is a drastic measure they have clearly all been anticipating with some trepidation. It is a proposal to stop the economic contraction by freezing growth at 0%. Prices and wages will be fixed at their current levels indefinitely; strict quotas will be placed on all production and consumption to match prior year amounts; any and all hiring and firing decisions must be approved by the state.

POTUS Not-Romney authorizes Mouch to write the executive order, then ducks out before the horse-trading can commence, presumably for plausible deniability reasons.

The order will be carried out by a new, all-powerful Unification Board. Kinnan the Labor Guy forces Mouch stack it with his men. He also proposes a jobs bill where the government just forces companies to increase the number of people on their payroll to 133% of current employment. Orren Boyle is like “That makes no sense.” Kinnon is like “None of this makes sense, so shut up and deal with it.” Fuck this is so stupid. I’ll give Kinnan this though, he’s not a bullshitter. He’s a cynic who knows these guys are poking more holes in a sinking ship, and he intends to hoard as many lifeboats for his people as he can, but he has no illusions about this being in the public good.

Taggart Boyle & Mouch, on the other hand, the three who set this whole chain of dominoes in motion, are panicky wrecks by contrast. They drank their own Kool-Aid and now they seem kind of appalled that it’s come to this. They shriek about how it isn’t their fault and they have no choice, and Kinnan finds it darkly amusing and the comfortably amoral Ferris is just smug.

Mouch reviews the list of policies they’re about to enact. On top of the economic controls mentioned above, all new inventions will be outlawed; R&D will be conducted by State Science only. No new writing shall be published, and all patents and copyrights will be signed over to the government by the holders through ‘voluntary Gift Certificates.’ This last bullet point strikes them as the most unrealistic and legally dicey of all the things on this list, even though patents and copyrights are government-issued to begin with and literally every other thing they mentioned is utterly insane.

The conspirators nonetheless believe they can get all the remaining patent-holders to relinquish their rights without much of a fight, as long as they can get Rearden to surrender rMetal to them. Jim mentions that he has some dirt on Rearden that should make this objective achievable. In exchange he extracts from Mouch a legal rate hike for Transcon trains. Thank god the real halls of power don’t run on shady quid pro quos, right?

The power players all feel the weight of the moment in solitary shame, and Jim lowers the blinds so they don’t have to look at the Washington Monument taunting them from the window as they sign away all of America’s founding freedoms.

One morning some weeks later, Dagny wakes up on the couch in her office and orders her secretary to get her a newspaper while she gets back to her paperwork. Everybody is walking on eggshells and she doesn’t know why, until Average Eddie Willers brings her the Times and she sees the news about America’s shiny new communist government, which was announced today, don’tcha know.

Her body drains of feeling and without conscious thought she marches to Jim’s office, throws the paper in his face and calls it her resignation letter. She tells Eddie she intends to get her Ron Swanson on and will shortly leave for a remote cabin in the Berkshires that’s been in the family for some generations. Nobody should be allowed to contact her, she tells Eddie, except for Hank Rearden.

Speaking of whom, she calls Hank and lets him know what’s what. Hank has adopted a pretty Zen, resigned attitude to this whole situation by now, and with two weeks letft until the patent-surrender certificates are due, he intends to see things through to the end. Go down with the ship, as it were, like a true captain (of industry).

To that end, one morning, two weeks later, Hank awaits the arrival of the feds at his office to coerce a signature from him. But it is Dr. Ferris, all by his lonesome, who shows up relishing the opportunity to corner Hank after his last failed attempt. They establish once again that Ferris is a self-aware villain who takes pride in his venal, relativistic philosophy, thinks it’s the way of the future.

Ferris bluntly explains that he is blackmailing Rearden with lots of photos and hotel room records proving his now two-year long affair with Dagny. He got them from Jim, who got them from Lillian. Hank realizes that his godforsaken wife has taken advantage of even the slightest pity he showed for her, that she and these totalitarian thugs share a standard operating procedure of exploiting the virtuous to sustain the vicious. And though Hank long ago gave up feeling guilty about his sham marriage and satisfyingly adulterous sex life, he realizes it would be unjust of him to make a self-righteous stand here if all the cost will be borne by Dagny, whose reputation will be ruined.

So he reflects on the very first time he met Dagny, and how they both sensed their chemistry, and how guilty and repressed he was about it at the time, and how clearly he can see the moral landscape now, and without a moment’s hesitation or regret he signs all his rights to rMetal away. It is henceforth to be called OurMetal and its production will be managed by Big Brother the Unification Board.

Welcome, Ferris’ smile seems to say, to the Fascistic States of America.

NEXT 2:7 The Moratorium on Brains, “Pirate Property”

Food for Thought #9: Ahistorical Fiction

“Already we have far too much of this insipidity — masses of people … letting slip whatever native culture they had, … substituting for it only the most rudimentary American culture of the cheap newspaper, the “movies,” popular song, the ubiquitous automobile.” –Randolph Bourne in The Atlantic, 1916

This blog has touched on the end of the Gilded Age and rise of the Progressive Era before, albeit tangentially. As we begin to tackle how best to fuse liberalism and libertarianism here in the 21st century, it is worthwhile to revisit it, and to that end I’ll be drawing on Louis Menand’s excellent history of the period, The Metaphysical Club.

Menand chronicles how the rise of industrial capitalism radically intensified the disorienting aspects of modern life borne of relentless change and innovation. Politically, this turmoil manifested in the rise of progressivism as it sought to provide a necessary counter-weight to the opressively concentrated wealth of laissez-faire economics. Culturally — as illustrated by the quote above – it manifested as concerns about the corrosive effects of the new mass-produced consumer culture.  And philosophically it manifested in the creed of pragmatism, as developed most famously in the writings of William James and John Dewey.

Cut to Ayn Rand, writing from the 1950s, valorizing the Gilded Age laissez-faire society and condemning the rise of progressive politics as the death knell of actual progress. Like the thinkers of the time, Rand expresses concerns about vapid consumer culture — even though industrial capitalism is what made mass pop culture viable – while on the philosophical level, Rand’s Objectivism is a radical departure from the approach taken by that era’s great American minds.

What was their thinking? The school of pragmatism evolved as a response to intense mid-19th century debates about metaphysics, provoked by the rise of Darwinism and the attendant rise of material determinism.

Pragmatism took its name from the idea that as a philosophy it should be more than an intellectually satisfying  theory, it should be a practical system of thought useful for people in authoring their lives. To that end, it adopted a stance of metaphysical agnosticism. For example, pragmatists assumed free will exists, not as a claim about the metaphysical truth but for the simple reason that people experience situations involving decision-making all the time, so any philosophy that discards free will is void of practical application. 

Ayn Rand also believes in free will  (to put it mildly), but she asserts this as a given metaphysical truth, just like her claims about the moral nature of money are metaphysical claims not supported by logic.

"You know nothing of my work."

In fact her broadest and most problematic metaphysical claim is her ontology of logic, which we have already exposed as faulty here. The truth is that Aristotle’s First Law of Thought, that “A is A,” isn’t making a claim to metaphysical truth per se, which is how Rand wields it; it is claiming that for anybody to meaningfully communicate thoughts with anybody else, they must first agree on the meaning of the terms and symbols they employ in their language. It is a metaphysically modest claim grounded in pragmatic utility — the laws of thought are  not irrefutable truths about the nature of reality (that would make them the laws of reality), they are the rules regarding form that a human must follow to successfully convey content.

The man who founded the pragmatist ethos, Charles Pierce, said of logic’s role in human affairs, 

[Reasoning] inexorably requires that our interests … must not stop at our own fate, but must embrace the whole community. He who would not sacrifice his own soul to save the whole world is, as it seems to me, illogical in all his inferences collectively. Logic is rooted in the social principle.

Pierce’s premise here is that the collected observations and inferences of any one individual are inevitably insufficient for a comprehensive or verifiably accurate account of reality. A body of objective knowledge can only be built and sustained by a society dedicated to that common pursuit within and between generations.

Here we see that pragmatism, unlike Objectivism, is concerned with both liberty in the form of aiding man in the exercise of free will, and with the legitimacy of society as a whole. At the time pragmatism became ascendant, laissez-faire capitalism had reached a turning point. The economic right to freedom of contract had begun to violate the contract of freedom — the social contract.

Historical evidence of the dictatorial power of private parties to govern the lives of the masses during the Gilded Age includes JP Morgan’s centralized economic management as handled through the corporatization & conglomeration of formerly entrepreneurial and individualistic industry. But another key example is the Pullman strike, the national crisis that launched Eugene Debs to fame and first brought serious momentum to the labor and socialism movements in America.

In 1894, Illinois was the lynchpin of the nation’s railroad system, and the workers at the Pullman Palace Car Company all lived in the company town of Pullman. Facing a drop in revenues during a recession, Pullman cut their wages. But he didn’t lower their rent or the cost of goods in Pullman, all of which he obviously controlled. So it was very clear to the laborers that they were getting screwed, bearing the costs of the macroeconomy while those with enough power to better influence that economy simply preserved its benefits for themselves.

As with Morgan, the Pullman dynamic is ironically akin to the excess authority and impossible demands of Rand’s government planners. Not only that, but the strike was eventually broken by the government acting on the side of management, because the disruption of rail service itself threatened the macroeconomy. All of which is starkly opposed to Rand’s fictional government — not to mention her fictional 19th century.

Clearly the huddled masses couldn’t directly engage in fair negotiation with their corporate overlords. If they wanted real opportunities to exercise economic liberty, they would have to work through democratic institutions to petition for a renewal of the social contract.

The moral here is that while Rand’s view of anarcho-capitalism (as expressed by Rearden in 2:4) prizes economic liberty as an inviolate moral ideal, such fidelity produces blind spots — in this case that a social order emerging from the bottom up through privately-negotiated contracts can still produce despotic, top-down governing bodies as a practical reality. In the words of Homer Simpson, “Sure it works in theory, Marge. Communism works in theory.”

Another pragmatist quote, this time by the more well-known American philosopher John Dewey:

The bigger the unit you deal with, the hollower, the more brutal, the more mendacious is the life displayed. So I am against all big organizations as such, … and in favor of the eternal forces of truth … underdogs always, till history comes, after they are long dead, and puts them on the top.

One could find support for Rand’s fears of dystopian statism in this quote about bigness, but one could also read into it a progressive’s suspicions towards dystopian capitalism. After all, both of these anxieties are rooted in the dangers of excessively concentrated power, and they both feel the need to support Davids over Goliaths in response. The schism is over what institutional arrangements best to mitigate this problem. 

First result in a Google Image search for "American Culture"

Pragmatism, of course, prefers whichever arrangement produces real experiential liberty for the most people. Since pragmatism is so, well, pragmatic, it is better suited to deal with the muddy compromises of reality than the theoretically pure forms of either libertarian capitalism or socialist democracy. As we see in the quote up top, in an era of eugenics and scientific racism, the Dewey-taught Randolph Bourne argues for a multi-cultural America with each race and ethnic group sustaining age-old traditions as a bulwark against spiritually empty consumerism. This is not dissimilar to the Deist founding fathers encouraging a religious populace for the sake of social cohesion. As always, the argument is a practical and metaphysically humble one. 

But this adaptability to circumstances leaves pragmatism open to charges of moral relativism, which is not entirely an accident. The thinkers who developed pragmatism came of age during the Civil War and its aftermath, and the lesson they took was that moral absolutism led to immense human suffering. Yet after the meaningless slaughter of World War I, this philosophy fell out of favor to make way for ideologies more proactive about asserting moral values once again. Nonetheless, I believe the pragmatists’ metaphysical agnosticism — which is to say their epistemic skepticism — was immensely valuable. Certainly the dogmatic ideologies that took hold in the 20s and 30s only contributed to greater atrocities, atrocities by design even, in World War II.

So as much as Rand idolizes the period out of which pragmatism grew, she has discarded the lessons learned by those who lived through it. This is self-evident in her fables about Nat Taggart, in which she portrays the era with willful inaccuracy. And to end this quote-heavy essay on a famous one by George Santayana, those who do not learn from history are doomed to repeat it.

2:5 Account Overdrawn, “An Excess of Bullshit”

PREVIOUSLY: The earth has been exhausted, humanity has been consumed. Our workaholic heroes are determined to keep the lights on, but all their friends are giving up and it’s making them very cranky.

In the wake of the latest wave of pirate attacks, the economy has collapsed… again… some more. That’s been going on for 500 pages already, but whatever. Ayn makes sure to recap all of the specific new industry failures in excruciating and unnecessary detail.

But the only one we care about is Transcon. Dagny is sitting in on a board meeting, biting her tongue while all the inept directors and spineless managers talk around the subject at hand, which is that they’re going to have to dismantle the Galt Line and use the rMetal on it to reinforce their backbone transcontinental track. Some anonymous G-Man is there and Jim appeals to him to pull some strings, but it’s clear the Taggart name no longer carries the weight in Washington that it did before.

Dagny calls them out for being pathetic cowards who won’t talk straight about what they’re doing, which is cannibalizing her life’s work right in front of her. The board is like, “Oh thank God, somebody finally said it. Shall we vote on Ms. Taggart’s proposal to cannibalize her life’s work? And the ‘ayes’ I have it!”

Utterly crushed, Dagny leaves the building that night to find Francisco waiting for her outside. As always, she is distrustful but finds his presence compelling and comforting. In fact, he explicitly claims that he’s there to comfort her, and she relents to be wined and dined.

So over some very expensive wine and, presumably, a bottomless basket of garlic bread, they reflect on and idealize their illustrious ancestors. Dagny recounts an insanely ahistorical legend about her great-grandfather Nat, who single-handedly built a railroad bridge across the Mississip’ in defiance  of the law, because everybody knows how skeptical the 19th century U.S. government was about expanding railroad infrastructure.

In turn, Frankie reflects on his ancestor Sebastian who had to abandon his true love in the Old World, but rebuilt his fortune in the New World and then reclaimed her after fifteen years.

Dagny can’t really handle the subtext of that anecdote and turns the conversation back to the John Galt Line. Francisco had warned her that she’d regret building it, and now she does. Now that apathetic meme, “Oh well, who is John Galt?” rings in her ears more than ever.

Francisco offers another mythic metaphor for who Galt is, describing him as “Prometheus who changed his mind.” How’s that, you ask? Well apparently Prometheus eventually got tired of being disemboweled every day. He broke free of his chains and then took fire back from mankind, because… they tortured him? Jesus, Ayn doesn’t even know how this myth goes.

The gods tortured Prometheus. Mankind thought he was pretty cool. They wrote a play about it. So why would Prometheus take fire back from the people, Ayn? Sounds like a real dick move. I think the moral of this version of the myth is that John Galt’s morals make for a shitty version of this myth.

Anyway Dagny thanks Francisco for being kind to her in her darkest hour, and he’s a real gentleman about it, because Francisco is CLASSY.

Cut to an entirely pointless scene in Colorado. Dags and Hank Rearden are doing some bargain-hunting, buying up all the industrial equipment they can find from all the failing businesses. It seems like only ten chapter ago this state was a booming hub of vitality. But now, they see abandoned buildings and machines and feel heartbroken. They also see ghost towns full of starving people and feel disgusted. And fuck both of you.

The Transcon station is a mob scene as everybody in the area wants to get out of Dodge on the last train to ever run on the Galt Line. Luckily for Dagny, Hank shoves aside the diseased rabble and they get in their private car.

Back in New York City, the team of Taggart & Rearden, Evil Edition, meets for dinner. Lillian Rearden is coy and Jim Taggart is smarmy, and underneath the fakery, Jim is asking Lillian for help. He’s lost favor in Washington, but everybody thinks that he and Hank are best buds because Hank showed up at his wedding (thanks to Lily). If Lily can convince Hank to ally with Jim politically, they could pull some weight and help save rMetal & Transcon from the circling vultures of nationalization.

Lillian, infatuated with the idea of being the one holding the power for once, accepts the challenge. She goes back to her hotel room to lounge and luxuriate while planning how she will manipulate Hank into agreeing, but gets thrown for a loop when she discovers that Hank’s deviated from his official schedule and realizes he must be with his mistressright now.

"Oh, hey, honey... I was just... uh... LOOK OVER THERE!"

So she books it to Taggart Terminal with the intention of catching a glimpse of The Other Woman. Hank is surprised to see her, and she’s throwing herself a pity party about how selfless she is, when Dagny strides out of her car and the reality of the affair hits Lillian like a ton of bricks.

When the Reardens arrive back at their usual New York hotel suite, the marital facade crumbles immediately. Lily talks mad shit about Dags, lashes out at Hank, demands he end it with her.

But Hank has finally cut himself completely free of this toxic relationship. He’s like, “I would rather see you dead than quit Dagny,” and “You can get a divorce whenever you want, just say the word.” But Lil can’t stand that she has so little power left over him, no way to hurt him, and again declares that she will never grant him a divorce.

She storms off and Hank sighs in relief. He understands now that having it all out on the table is a good thing, an immense catharsis. Like a great shit.

NEXT — 2:6 Miracle Metal

2:4 The Sanction of the Victim, “Moral Vampires”

PREVIOUSLY: The feds charged Hank Rearden and Ken Dannager with black market trading. Dagny rightly intuited that the shadow faction of missing elites would pull Dannager off the grid, but she was too late to stop it. Francisco visited Rearden and was possibly recruiting Hank to the shadow faction too, but then Hank saved his life in a freak factory explosion and he backed off his agenda.

"I have nothing but contempt for you people. Especially you in the yellow polo." -Hank

It’s Thanksigiving dinner at the Rearden’s! And in spite of all the luxury they have to be thankful for, they are even more passive-aggressive and hostile than your family. Tomorrow is Hank’s trial (two months from charge to trial? Awfully efficient for the government, no?). Lillian cites moral relativism as a reason for him to plea bargain or buy someone off. His harpy mother asks how could he put them through this. His brother outright says he’s guilty and should face a harsh sentence.

Hank is all about done with these people, thank you, and tells brother Buster to get the fuck out and never return. Everyone freezes and Buster immediately tries to walk it back, but Hank has had a moment of clarity. He sees now that his family uses guilt as a weapon, shaming him for his virtues so that he feels like he owes them something. Their entire value system is warped, he realizes, and Francisco’s speech about Atlas shrugging is ringing in his ears.

Throwing in the towel (or, napkin, I guess), Hank stands and announces he’s leaving for New York. Lillian, who has been overdosing on schadenfreude ever since she confronted Hank about his adultery, feels her grip on his conscience fading and commands him to stay. He does not. And now I bet the turkey’s cold, too.

On his drive to New York he mulls over how pervasive this sort of moral vampirism is. He figures his family is a lost cause, but he remembers that impressionable collegiate regulator that the state assigned to him. The kid turned a blind eye to Rearden’s black market arrangements with Dannager, even at the cost of his own career prospects. How selfless! There may be hope for the world yet… I mean, wait, no, selflessness means the world is doomed. Right? I think Ayn’s starting to lose the thread.

When Hank arrives in Manhattan he meets Dagny at her office, where she and Eddie are working late to minimize the damage from a terrible accident on the Transcon main line. Everything is falling apart in this country! On that score Hank tells Dagny that the next steel order for Taggart Transcon will be secretly doubled and full of rMetal. He has realized that their political enemies, just like his family, have no leverage if the likes of he and Dagny don’t subordinate their virtue in service to their vices.

Dagny is thrilled at Hank’s newfound enthusiasm for spiting the masses and takes out a bottle of lube to celebrate. Eddie is confused because he doesn’t know they’re diddling. Don’t worry Eddie, you’ll understand one day, when you’re all grown up.

"Objection! The protagonists are starting to act really douchey."

JUDTJUT! That was the Law & Order noise, because we are at The Trial. The room is packed. There is no jury, just a panel of three judges at a card table or something equally unceremonious. The room suggests ‘the kind of meeting where a presiding body puts something over on a mentally retarded membership.’ Is that even a comparison to anything? I think Ayn just called you a scam artist. Or a retard. Either way, she’s not even trying anymore.

They ask Hank if he would like to make a statement in his own defense. Hank says NO, he will not make a statement in his own defense. BUT – and I know this might come as a shock — his version of “NO” is a lengthy, overwrought monologue praising anarcho-capitalism and condemning the court as a sham.

"Sustained."

But he must be onto something because the jurists don’t hold him in contempt of court for, uh, ranting about his contempt for the court in great detail. They do not even recognize that he has waived his right to a defense. They are basically flummoxed by his bold “I will not defend myself, aside from this endless speech defending myself” approach, and they are cowed by his successful riling of the crowd. They let him off with a small fine. God this scene is just so dumb. Did David E. Kelley write this? I guess he was only one when the book came out, so… if the shoe fits.

Several weeks later. The dead of winter. Rearden is drinking alone in his hotel suite. He was popular for a minute there, after the trial. People remembered that he invented rMetal and built the Galt Line and told those lousy bureaucrats to fuck off. But the lamestream media got them back on talking points and all his fellow businessmen started asking him to cool his jets. He’s giving entrepreneurs a bad name, don’t you know. Don’t want to rile up more populist anger at the 1%.

This unthinking cowardice really pisses Hank off. Human emotion in general pisses Hank off, but whatever. The only person he really wants to see is Francisco D’Anconia, to thank him for inspiring his courtroom testimony. And Hank’s courage is liquid enough that he decides to show up at Francisco’s room unannounced.

Just two dudes, straight chillin'.

But of course Frankie welcomes him when he shows up, and they both clearly revel in their new, unspoken bond of friendship. They shoot the shit for a minute and Frank congratulates Hank for his court performance. Hank gives him all the credit, but admits he still doesn’t get Francisco’s angle. Between you me and the recapper, he wonders, what’s the deal?

Francisco weighs his options and decides to throw Hank a bone: he admits that his public persona is an elaborate ruse. He has gone to great lengths to convince the world that he is a spendthrift playboy, but really he’s never slept with any of the women he has been associated with in the papers. In fact, he’s loved only one woman his whole life. Hank is thinking like, “Me too! This guy so gets me,” except neither of them knows they love the same woman. I smell awkward revelations coming! Does this mean we have to split into ‘shipper Teams now?

Anyway Frisco justifies his celibacy with — yes, that’s right — a long speech. The gist is that people with self-respect will only sleep with other people they respect, while people who feel worthless will seek sex to boost their esteem and will fail because the sex will be hollow and demeaning. Truly groundbreaking stuff. The takeaway is that sex and desire and pleasure are therefore not sins, are in fact sacred, unless their life-affirming potential is perverted by self-destructive motives.

Hank has mad respect for this outlook, since he’s been such a tangle of contradictory impulses when it comes to his sex life (thanks, Catholic upbringing!).  As repayment for Frankie’s wisdom, he confesses to Frisco that he already came to trust him before hearing this admission of his true beliefs. He explains his plan to produce an rMetal surplus and sell it on the black market to Dagny, and pointedly adds that he ordered all the raw metals for this project from D’Anconia Copper, as a testament to their trust and friendship.

"Robin, you fool!"

Francisco’s face falls ashen. He shakes Hank violently by the shoulders. “You fucking idiot! What behavior of mine could have possibly made that seem like a good idea? You know nothing of my work!”

Hank is completely lost. Frank kicks him out, telling Hank that he likes him but this was a huge mistake. But the sudden about-face makes no sense to Rearden until a few days later, when he learns that his shipments of D’Anconia ore have been sunk to the bottom of the sea by the dread pirate Ragbeard.

Yeah Hank, I’m mad too – your author is being a real cocktease about this pirate plotline.

NEXT — 2:5 Account Overdrawn, “The Grind”

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